Seventeen-year-old Hannah does everything she can to avoid being noticed due to the scandalous occupations of her parents, but she might have to make an effort to change that after she develops a crush on two guys at her part-time job. (BWI description)
This was a slight, but enjoyable, book, a quick read. If you’ve ever read any Elizabeth Scott’s novels, you know she is very talented. Living Dead Girl was one of the most disturbing books of 2008. By contrast, Something, Maybe is a more simple story of a girl who wants one guy, but discovers that a better one was always there, just waiting for her to notice.
What makes the book unusual is seventeen-year-old Hannah’s embarrassing, infamous parents. Her mother earns her living as an erotic web-chat hostess, and her father was fashioned after Hugh Hefner. Jackson (the Hefner-type character) was in his 50’s when he had a two-year relationship with Candy, Hannah’s nineteen-year-old mother, impregnated her, promptly dumped her, and would never have claimed his child, were it not for a paternity suit. Unfortunately, Candy refused to take any child support from wealthy Jackson, thus Candy and Hannah only scrape by from payday to payday. Candy is portrayed as reasonably likeable—she’s not overly vain, and she tries to be a good mother, though spending all of her time strutting around in scant, sexy undies in front of a webcam. That she wouldn’t accept any financial support from Jackson made her seem very stupid to me.
Though not ordinary parents, Scott rendered them realistically and, in fact, they are the most interesting aspect of the story. In a bid to improve his image, Jackson, who is now in his seventies, sends for Hannah. While spending time with him, she gets an eyeful about his lifestyle.
When not feeling embarrassed by her overly libidinous parents, Hannah works at the call center for a drive-in burger restaurant. Josh, the gorgeous poet and activist that she pines for, is totally unattainable. Finn, an awkward but nice, guy-next-door type, is constantly doing what he can to get her to notice him … until, one day, she finally does.
Hannah is a likeable girl. Instead of making her too cynical, which Scott could’ve done, she rightly gives her a cheeky quality that is entirely appropriate, given her parents. Irreverence is always easier to take than unrelenting cynicism. Scott’s dialogue catches the way teens talk, and what they talk about, superbly.